Oriental Pearl Tower, photo: d'n'c

Foreword by the Poet

"In 815, I was demoted from the Capital to a local Officer of Jiujiang Prefecture. One autumn night of the following year, while seeing off friends on a boat leaving Penpu harbor on the Yangtze River, I suddenly heard a pipa tune being played from the neighboring boat. The music style was clearly from the capital. Being totally surprised, I made an inquiry and learned that the musician was a lady who used to be a famous star in the Capital.

"She studied the pipa with the great Masters Mu and Cao. Then her glorious years past with the time as her beauty faded. Finally she had to lower herself to marry to a merchant. I then invited her to my boat, had the table reset, and asked her to perform for my friends and myself.

"When the concert ended, I asked her why she was so sad. She told me of her splendid youth and how she lost her fame and lived a life of a merchant's wife. I had not myself felt depressed since my own departure from the capital. But after I heard her story, that night, the reality of my own demotion sank in. And I could not help but write for her this "Pipa Song", a long poem of six hundred and sixteen characters."

    
photos Keith Marshall and Romy87

The Pipa Song, Bai Juyi

One Autumn night on the Yangtze River side,
I bade farewell to my friends on a boat.
Soft wind rustles reeds and maple leaves,
I, the host, dismounted and the guests went aboard.
Cup in hands, but there was no music,
We drank with depressed hearts,
Seeing my friends off while the moonlight bathing in the river.

Suddenly the pipa sounds drifting to our ears from a neighboring boat,
My guests forgot to leave and I knew not where we were.
Tracing the sound, we looked for the wonder maker.
The music stopped and there was no sound to hear.
We moved our boat near the musician's to invite
Here to drink at our feast replenished by lamplight.
We urged her over and again until she appeared,
With half her face hiding behind the pipa still.

She turned the pegs and tuned each string a few times,
Her music flew out even before playing a note.
Each plug on the string gave a note of melancholy,
Pouring out the resentment of her life.
She knitted up her brows and carried on,
Telling from her heart the life story long.
Now playing softly, now playing swiftly,
She performed first "Liuyiao" and then "Nishang" [1]
The bold strings rattled like splatters of sudden rain,
The fine strings hummed like lovers' whispers.
Chattering and pattering, pattering and chattering,
As pearls, large and small, on a jade plate fall.
The sweet melody recalls oriole singing among flowers,
The sobbing music brings the gushing spring out of glacier,
The spring frozen, the strings ceased vibration.
The water stopped flowing and silence set in.
In my heart, a spell of deep feeling,
At this magical moment, silence tells more than sound.

Suddenly a strain of notes burst out
Like water splattering out of a fallen vase
Or horsemen riding among a forest of spears.
She struck the four strings all at once
As if the silk curtains were ripped with great force.
With her plectrum sweeping over the string,
The music came to an end with a crystal snap.

And tranquil overwhelmed in the boats far and near,
Only the Autumn moon shining in the river so pale.

Sadly, she put the pick back under the strings
And rose elegantly with her manner respectful,
Saying that she was originated from the capital,
And lived in the famous district of Xiamoling [2].
By thirteen she had mastered the pipa,
And was first among equals at the Imperial Conservatory,
Her art the admiration even of master Shancai,
Her beauty the envy of all pretty girls.
Suitors competed to reward her,
For every song she received endless bolts of silk.
She sang, she beat time, all through the day,
She danced till her head gear fell to the floor.
Wine spilled, skirts stained,
Delicacies rivaled gaieties.
Day after day, and joy upon joy,
Her best years slipped away.

Then her brother joined the army, and her aunt died.
Times changed, and her beauty faded.
Her patrons wandered off, went elsewhere,
And the carriages at her door got fewer and fewer,
Till finally she had to lower herself marry a tea dealer [3].
All he thought of was money, parting never bothered him,
So the month before he'd gone to Fuliang, to buy tea,
And she had been left to tend the boat all alone,
No company but the cold water and the moon.
In the deep of night she would dream of the past,
Awake from crying, her face wet with tears.

I had sighed when I heard the music,
But now, having heard her story, sadness doubled.
"Both of us are strangers here, both of us stranded,
Does it matter that we've just met, if our hearts understand?
I left the capital a year ago,
And now, a sick exile at JiuJiang, my sorrow grows.
The city is far away, there is no music,
No flute, no pipa, all year long.
I live, now near Pencheng, damp and low,
Choked with reeds and bamboo.
What do I hear, day and night?
The sad songs of cuckoos, the sad cries of apes.
On a spring day, at the river,
Or on an autumn moonlit night,
Often-I sit up, alone, and sip wine.
There are folk songs, of course, there are village flutes,
But they are so crude and they grate on my ears.

Tonight I heard you play the pipa.
It brightens me like music from Heaven.
Sit down once more, please play an encore,
And in turn I will write you a "Pipa Song".

Moved by my words, she stood there, silent for a long while,
Then she sat down and quickly tuned her strings again,
Grief-filled and heart-felt she played a different tune.
Tear-soaked, sorrow-laden, all sobbed out at once.
And who was weeping the bitterest tears of all?

The Deputy Chief of Jiujiang Prefecture,
whose blue gown was soaked in tears.

[Notes]

[1] Nishang and Liuyao - Popular dance tunes, the former introduced into China from Central Asia;
[2] Xiamoling - red-light district in Changan, the Capital of Tang Dynasty.
[3] In traditional China, classes in society are very big spelled. Scholars and learned people were highly respected, and the officials were selected from learned people through strict examinations based on the knowledge about the Chinese classics, literature and poetry. The "businessmen" or the merchants were regarded lowest in society, as these were synonyms for "greedy", "selfish" and therefore "low morality". The reason was that "businessmen only looks for profits in term of money".

> Source: http://www.philmultic.com/pipa/pipa_song.html

photo Brad & Sabrina

The Poet

Bai Juyi or Po Chü-i (772 - 846) is one of the greatest poets in Chinese history. His fame in China is comparable to that of Shakespeare in the English speaking world. He lived in the Tang dynasty. His poems are not cheerful, and were themed around his responsibilities as a governor of several small provinces to sympathise with his people. He is renowned in Japan as well, where he is called Haku Rakuten.

> More about Bai Juyi on WikiPedia

The Tower

The Oriental Pearl Tower (Dōngfāng Míngzhūtǎ) is a TV tower in Shanghai, China. The Oriental Pearl Tower is located at the tip of Lujiazui in the Pudong district, by the side of Huangpu River, opposite The Bund of Shanghai.

It was designed by Jia Huan Cheng of the Shanghai Modern Architectural Design Co. Ltd. Construction began in 1991 and the tower was completed in 1995. At 468 m high, it is (in 2007) the tallest tower in Asia, and the third tallest tower in the world. The Oriental Pearl Tower belongs to the World Federation of Great Towers.

Chinese Symbolism in the Design

The design of the building is based on a verse of the Tang Dynasty poem Pipa Song by Bai Juyi about the wonderful sprinkling sound of a pipa instrument, like pearls, big and small falling on a jade plate.

Seen from afar, the Yangpu bridge (Yángpǔ dàqiáo) and the Nanpu bridge (Nánpǔ dàqiáo) seem like two Chinese dragons frolicking with the pearls of the Oriental Pearl tower.

The Spheres in the Tower

The tower features 11 spheres, big and small. The two biggest spheres, along the length of the tower, have diameters of 50 m for the lower and 45 m for the upper. They are linked by three columns, each 9 m in diameter. The highest sphere is 14 m in diameter.

The entire building is supported by three enormous and surprisingly strong columns that start underground.

The Pearl Tower attracts three million visitors each year.

Film of the streetscapes of Shanghai, including the omnipresent Oriental Pearl Tower; from 4:50' you will find the visit to the 350 m high ‘space module' of the Oriental Pearl Tower and its view on Shanghai (and its smog).

> More about the Pearl Tower on WikiPedia

Inspiring Cities Museum of CityPoems

Inspiring Cities has collected many citypoems over the years, as well as organized salons with citypoets and cities doing special projects. We have two criteria for what a citypoem is: the intention must be poetic, and it must be in the public realm of cities. Shapes, form and locations can and do differ.