Searching for the soul of the city
CityPoem 59 - São Paulo
By Mareny de Campos
24-06-2007 /views: 1340 in past 12 months.
The famous Brazilian poet Mario de Andrade wrote a poem about the Soul of Sao Paulo.
Photo: Mare de Campos
São Paulo CityPoem: Drizzle of my São Paulo, Mário de Andrade
Below a poem shown in an exhibition about the city of São Paulo. It is a little sad, but still expresses the soul of the city. Sao Paulo is know for the drizzles and for the social differences.
Drizzle of my São Paulo
– Sad sound of martyrdom –
A black guy is coming, is white!
Only when very close gets black
Passes by and turns to be white
My São Paulo of the drizzles
– London of the thin fogs –
A pour guy is coming, is rich!
Only when very close gets pour,
Passes by and turns to be rich
Drizzle of my São Paulo
– Dressmaker of the cursed –
Comes a rich, comes a white,
They all remain whites and riches…
Drizzles get out of my eyes.
Mário de Andrade
About the author
Mario de Andrade is one of the celebrities of the modern movement that happened around the 20th in Brazil.
Mário Raul de Morais Andrade (1893 –1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. One of the founders of Brazilian modernism, he virtually created modern Brazilian poetry with the publication of his Paulicéia Desvairada (Hallucinated City) in 1922. He has had an enormous influence on Brazilian literature in the 20th and 21st centuries, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil.
Andrade was the central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism, and became Brazil's national polymath. He was the driving force behind the Week of Modern Art, the 1922 event that reshaped both literature and the visual arts in Brazil. After working as a music professor and newspaper columnist he published his great novel, Macunaíma, in 1928. At the end of his life, he became the founding director of São Paulo's Department of Culture, formalizing a role he had long held as the catalyst of the city's—and the nation's—entry into artistic modernity.
> More on Mário de Andrade @ WikiPedia
Garoa de meu São Paulo,
– Timbre triste de martírios –
Um negro vem vindo, é branco
Só bem perto fica negro,
Passa e torna a ficar branco
Meu São Paulo da garoa,
– Londres das neblinas finas –
Um pabre vem vindo, é rico!
Só bem perto fica pobre,
Passa e torna a ficar rico.
Garoa do meu São Paulo
– Costureira de malditos –
Vem un rico, vem un branco.
São sempre brancos e ricos...
Garoa sai dos meus olhos.
Mário de Andrade
See also:
Inspiring Cities Museum of CityPoems
Inspiring Cities has collected many citypoems over the years, as well as organized salons with citypoets and cities doing special projects. We have two criteria for what a citypoem is: the intention must be poetic, and it must be in the public realm of cities. Shapes, form and locations can and do differ.
The Museum of CityPoems has citypoems from cities all over the world. From Alhambra to Zonnebeke, from Taipei to Lima.
Got one yourself? Mail us your pictures (free of rights) and description, and we will publish.
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